Shot
number
|
Technical
sound description
|
Effects
on meaning/sound
|
|
1.
|
Off-screen
non-diegetic sound (20th Century Fox theme song)
|
This
is the company motif. It has an uplifting, royal feeling.
|
|
2.
|
Off-screen
non-diegetic sound (wind/talking)
|
-Voice
in silence is mysterious and ominous.
-Wing
is eerie in the darkness and invites the audience to picture the scene.
|
|
3.
|
On-screen
diegetic sound (gasping/water)
|
-The
sound and the image come together creating the scene, giving an alarming feel
and an urgency as he struggles.
|
|
4.
|
On-screen
diegetic sound (water)
|
-Water
splashing gives an effect of urgency, panic and fear.
|
|
5.
|
On-screen
diegetic sound (splashing/water/coughing)
|
-
Increasing panic-making scene tense.
-The
character is not speaking during this, as it is clear he is struggling for
his life. This adds to the sense of urgency and possibly suggests there is no
one to help so no point shouting.
|
|
6.
|
On-screen
diegetic sound (water/bubbles)
|
-
As coughing/splashing has stopped it
creates a fearful atmosphere that he is just sinking, dying.
|
|
7.
|
Sound
bridge (water) on-diegetic off-screen sound (voice)
|
-
Tone of voice is ominous, possibly foreboding danger. It is also a contract
to the previous scene of silence.
|
|
8.
|
Off-screen
sound (baby crying)
|
-Babies
cry is scary due to context of previous scene and it may signify there is
something wrong. Similarly this cause of wrong may link to the man, hence why
he is in the perilous situation in the water.
|
|
9.
|
On-screen
diegetic sound (voice)
|
-Voice
in silence is mysterious and ominous.
|
|
10.
|
On-screen
non-diegetic sound (voice) on screen sound (bubbles/water)
|
-Voice
is drawing you in to listen more, as we know more about the background to the
characters story (the baby).
|
|
11.
|
Off-screen
sound (clock)
|
-Mysterious
and moving you onto the next scene/part of the story.
|
|
12.
|
Sound
bridge (clock) off screen sound (wind-chimes)
|
-Wind
chimes are suppose to signify taking bad dreams away, but this appears to be
the opposite so it is ironic. Similarly they’re clearing in a baby’s room,
and it may be showing a nightmare, which relates and centres on the baby. This
nightmare replays on him and this is shown through the continual
none-stopping sounds playing over and over. The use of wind chimes is
effective because it is in contrast to how they’re supposed to be viewed.
They’re supposed
to be good but here they show evil and
creepiness.
|
|
13.
|
Sound
bridge (wind-chimes/ clock)
|
-A
dead women lying in the room reveal irony of the wind chimes. The baby
continues to cry, as it needs its mother.
|
|
14.
|
Sound
bridge (wind-chimes/ clock) off-screen sound (thunder/rain/voice)
|
-Clock
significant as it shows him moving on or a time he is replying in his mind.
Wind chimes are usually soothing but in this context they’re creepy,
paralleling the images. This is heightened by the bad weather, which could
signify bad spirits/omen/karma.
|
|
15.
|
Sound
bridge (voice- off screen) Off screen sound (siren)
|
-Sirens
confirm something bad has happened as you only get them in a tragedy or
emergency. It either foreshadows something bad about him or the women/baby.
This also contrasts the previous scene as it is completely separate and a
week earlier.
|
|
16.
|
Sound
bridge (siren- off screen) off-screen sound (talking)
|
-Sirens/image
of scene saying ‘one week earlier’ show this has happened previously and he
is recalling it in the past scenes. The film from then on will unravel the
mystery of the water scene, the dead women and the baby.
|
Overview of sound:
Sound is ominous and mysterious which fits every scene, as
what we see is eerie, and creepy yet unexplained. For example, why is there a
dead woman? Why is the baby crying? Each more scenes, which unravels and is
unexplained adds to the mystery and fits with the sound. From this I have learned that by using sound bridges and introducing sound before the scene has become visual adds suspense and tension to a scene. This can be more effective sometimes, as oppose to using different shots that slowly reveal something, in particular in horror films as it makes the audience focus on the sound first making them question what they are hearing. If I were to choose to create a horror opening sequence, this technique would be very useful and could be used when editing sound.
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